Step 1. Start with an image.

I already clipped the background out of the image so the effect will only apply to the main image.

Go to the Channels Palette and select the channel that isn’t too dark or too bright – I would suggest a channel with medium contrast. Press CTRL (win)/CMD (mac) while clicking on the chosen channel.

This will create a selection. Make sure the image is selected – that is, shading on our main subject is selected and not the background. You can Invert a selection by pressing CTRL(win)/CMD(mac) + SHIFT + I or Go to SELECT>INVERSE.

Step 2. Adding the Colors

While the selection is still on, go to the Layers Palette and Create a New Layer.

Fill the selection with R:0 G:255 B:0.

Create another layer and fill the selection with R:255 G:0 B:255 which is a hot pink.

Step 3. Offsetting the Layers

Deselect the image – Ctrl(win)/CMD(mac) + D.

Move the pink layer 8 arrow key hits to the LEFT. Then move the green layer 8 arrow key hits to the RIGHT.

Step 4. Masking

Select the green layer and click Create Vector Mask at the bottom of the Layers Palette.

Choose the Gradient (G) tool while the vector mask is selected in the layer, swipe it horizontally to the right so the green will show only on the right of the image.

Repeat the same steps above with the Pink layer but when creating a gradient vector mask you swipe the gradient the opposite direction so it will show pink on the left side of our image.

Once done, change the Blending Mode to Overlay on both layers.

Step 5. Refining

You can finish the whole image by using the Eraser (E) Tool or the Brush (B) tool to fine tune (add or delete) parts of the Vector Gradient Mask to show more of the picture.

I would suggest a soft brush (Hardness:0) that is at least 80 pixels in diameter.

If a post doesn’t look right. Just ignore for now until I fix it.

Thanks

This will not be a comprehensive blog on fonts as a lot of technical information are not necessary for you to know at this point. What you need to know are tricks for you to identify a font quickly to match.

There are fonts that are totally being used over and over and I will advise you to keep those handy. They are basically from the same foundry (aka font makers) and bought as a set which a majority of professional designers have and use. These are fonts like:

Avant Garde

You have seen this in logos like ‘Stand Up to Cancer’ or Kelly Clarkson’s new single My Life Would Suck without You.

So if you see a font that has a very round O, C, G or the lower case A and e, think Avant Garde. The number 0 though is pill shaped which is another way to narrow this font. Also note the tips are square off like on the letter W or V where most fonts have them pointed sharply.

Below a distinct uppercase R. O is round compared to zero.

Futura

Once in a while you’ll confuse one font for the other as in the case of Futura. Looks somewhat like Avant Garde but there are subtle differences.

You’ve seen these in logos and ads for Absolut Vodka and Living Language books.

The smallcase O, A and E looks similar to Avant Garde but check the W has pointed corners. The lower case g is also longer as the lowercase F is taller.

Compare the C in Avante Garde to Futura. In Futura it looks like a circle that’s been sliced vertically to form C. In Avante Garde you get more of the circle.

A quirk of this font is when you go bolder the pointy corners disappear.

Helvetica

This font is legendary as it is widely used yet you might not notice it. This never gets old for the fact that the lines and proportions are clean. A cheaper knock off is Arial but if you want to be legit you must use helvetica.

You’ve seen versions of this font in Katharine McPhee’s album – Helvetica Light.

How will you know if a font is Helvetica? They’re not as round as Futura or Avant Garde but it’s lowercase A basic with the little curve on its tail. The lower case J and Y have a curve bottom but it doesn’t curve up like the lowercase G.

Eurostile

Eurostile is like the cliche high tech font. Characterized by square letters with curved corners. I’ve seen it used in shirts by fcuk (French Connection).

Optima

Optima is based on Roman typeface without the serifs – those little narrow tips sticking out (shown below).

Optima is characterized by different thickness which is not characteristic of Sans Serif typefaces.

You’ve seen this font on the Vietnam Veterans Memorial which makes obvious it’s Roman origin.

Characters I would watch for are on the A and M how the type gets thin then fans out like a spatula on its tips which appears in most of its lowercase (below).

I’ve only skimmed the surface of this topic but the purpose here is to learn and memorize enough fonts so you can match them better if you decide to chop. Eventually you will realize that many designers are just using the same batch of fonts again and again.

To be continued…

I always keep an eye on all the threads (this was around late December) just so I will be ready with ideas if ever an inspiration for a chop comes to mind. Sometimes just randomly chopping somebody on another person can be unexpectedly funny.

At the time, everybody has just survived the wrath of Chris Crocker’s rant on Britney Spears. So I figured Josiah + Crocker = a chop? maybe? Partially I was bored and needed somebody to chop. LOL

After posting the picture (above), people who visited his myspace noticed he used the image to subtly acknowledge he is lurking at VFTW. Remember under contractual obligations he cannot post or talk about anything regarding Idol until after his episode aired – that is, if he didn’t make top 24.

Here are some screencaps – courtesy of Adam.

I must say Josiah is awesome for ‘getting’ what VFTW chops are about.

Syesha.jpg

Theo.jpg

Open both images in Photoshop. Press V to select the Move Tool.

(Win: CTRL / Mac: CMD)

Drag Theo into Syesha. Zoom out and resize Theo by pressing CTRL-T. Drag the upper right anchor point while holding the SHIFT key to reduce proportianlly.

Watch carefully and stop when you think he and Syesha are proportional.

At this point you will notice that if we move Theo to the left edge there isn’t enough room to show him. So we will make the canvas bigger using the CROP tool.

First, move the resized Theo in the middle of the document. Select the CROP Tool (Press C).

Drag the tool along the whole document then drag the left anchor point more to the left as shown below.

Hit the ENTER/RETURN key to crop the image bigger.

Reposition Theo by aligning the top of his piano to the top of Syesha’s piano (below).

Zoom (CTRL-SPACE-Drag the mouse) into Theo and put a path around him with the Pen Tool (Press P).

Since the background is dark we don’t have to be so exact on the clipping path.

Make the path into a selection (check previous tutorials).

Invert the selection by pressing CTRL-SHIFT-I. Press delete to remove the background on Theo. Press CTRL-D to deselect.

Select the Marquee Tool (Press M) and dragging the mouse from the upper right of our document, make a selection as shown below.

Then go to the Background layer and copy the selection to a new layer (CTRL-J).

Go to EDIT>TRANSFORM>FLIP HORIZONTAL to flip the layer. Move it all the way to the left until the left edge of the layer snaps to the left edge of the document.

At this point let’s see what we need to fix:

1. The pianos have different colors. We need to make a smooth transition in the obvious seam.

2. Same with the background as number 1.

3. We need to get rid of the person (duplicated) in this background.

4. Theo doesn’t have enough image – he’s cut off at the waist.

To Be Continued…

You can try and figure out how to fix all four points. Answers will be in the next blog post.

We’ll use the image hairtest.jpg below.

PREPARATION.

Open the image then select the Lasso Tool (Press L).

Roughly select the edge of the hair as shown below:

(Win: CTRL / Mac: CMD)

Press CTRL-J to copy our selection to a new layer (shown below).

EXTRACTING BY CHANNEL ADJUSTMENTS.

Go to the Channels Pallette. (Windows>Channels)
Select which of the individual channels (R, G, or B) has more contrast. In this case, we will select the Red (R) channel by clicking on it.

Then we will copy the Red channel to work on.

1. Select the Red Channel.

2. Drag it to the Create New Channel icon below the palette.

1. A copy of the red channel will appear in the Channels Palette.

2. Open the LEVELS Adjustment by pressing CTRL-L or go to IMAGE>ADJUSTMENTS>LEVELS.

3. You can copy the setting shown above or punch in these numbers – 51 / 1.00 / 1.43. What we are trying to do is to increase the contrast in the image more so that the background will turn white and the hair will turn black giving us an image that’s easy to extract.

4. Press OK to confirm settings.

To elaborate on the Level settings, here’s a short explanation.

1. Sets the White Point of an image. Meaning this changes the highlights and the light portions of the image. If you move this inwards (towards the middle) it will increase the brightness of the light parts of our image.

2. Sets the Black Point of our image. Moving this towards the middle will increase the darkness of the dark parts of our image.

3. The middle sets any tone in between the two.

What I did first was turn the White Point knob inwards (to turn the light portions really light – almost white) until I get a contrast that won’t make the hair look pixelated or broken up. If I notice the hair starts getting degenerated I either move it back to the right and stop where the contrast looks better. At this point the hair looks gray.

Turn the Black Point inwards and watch as the hair turns dark. Stop when it shows a nice contrast of dark hair and white background.

The try and adjust the Grey Point to fine tune the contrast even more.

Here’s the image we have with the following setting:

Black Point: 51

Grey Point: 1.00

White Point: 1.43

CLEANING UP.

As you can see there’s still shades of gray where the background used to be. For that we’ll just manually erase it.

Select Eraser Tool (Press E).

Set the brush size to around 35-40 pixels. Hardness set to 0%.

Start at the edge farthest from the hair and slowly erase the gray tone left by the background until you have something similar to the image below.

FINISHING THE EXTRACTION.

In the Channels Palette, click on RGB (or Press CTRL ~)to go back to our original image.
Select the Pen Tool (Press P) and draw a path to the rest of our image excluded when we selected the edge of the hair in the beginning of this tutorial.

Go back to Channels, hold CTRL then click on the Red copy Channel to make it into a selection.

Notice it selected the background instead of the hair. We have to invert the selection so press CTRL-SHIFT-I. Now our hair is selected.

Besides this selection we are going to add another seleciton from the path we created.

Go to the Paths Palette.

Press hold CTRL-SHIFT and click on our Work Path to not only turn this to a selection but add it to our current one created from the channels.

Note when we hold control/shift and hover our cursor over the path it shows a + selection icon.

Go to the Layers Palette and turn on and select the layer that says Background as shown below.

Press CTRL-J to copy the selection to a new layer. Turn off visibility on the Background layer to see the results.

To test what we did I would create a new layer over the Background layer and fill it with color – if you’re curious.

PREPARATION.
Open pan.psd and ramiele.jpg side by side

Make sure the Layers Palette is also open and it shows the layers we created in the previous tutorial.

Grab Layer 1 from pan.jpg towards ramiele.jpg. This will copy our clipped layer over ramiele’s image (shown below).

RESIZE AND REPOSITION.
We will resize and position our new layer. Set Layer 1′s opacity to 70%.

(Win- CTRL; Mac-CMD)

Press CTRL-T. This will enable us to transform our layer.

1. Hold the SHIFT key while dragging the lower right of the transform box to resize the image proportionally.

2. Placing the mouse in between the transform anchor points will enable us to rotate the image. Rotate the pan about 180 degrees – to turn it upside down.

Note: The above instructions are interchangeable. You can start with the rotate if you wish.

Rotate and transform the pan layer so we will have something similar to the image shown below.

Once we’re satisfied at the size and angle of our pan, hit the enter key to complete the transform.

FINISHING OUR CHOP.
Zoom close into Ramiele’s face (CTRL-SPACE-drag mouse).

Select the Background layer. Then select the Pen Tool (press P).

We will make a copy of Ramiele’s face to cover the part of the pan that is behind her head by drawing a path. Example shown below.

Go to the Path Palette and make our path into a selection (CTRL-click on path). Press CTRL-J to copy our selection into a new layer.

1. Pan layer (Layer 1).

2. Copied layer from Background from our path selection (Layer 2).

Drag Layer 2 above Layer 1.

You’ll wind up with the image and layer order below.

Go to Layer 1 and set the Opacity back to 100%.

Then Select the Burn Tool (Press O) with the following option settings:

Brush: Around 40 px size; Hardness: 0%
Range: Midtones; Exposure: 50%

1. Select Layer 2 and;

2. run the brush a couple of times over her forehead to simulate shadows created by the pan over her head.

Our finished image below – Pots and Pans Blitches!

Double D finale… Cookchuleta

MJ + Carly = Marly

Pans (Ramiele) and Tomato (Danny) Child

Josiah and Amy Davis

Jason Castro and Syesha Mercado = Syeson Castrado

Mavid!

Brooke and MJ = Babbling DoucheBag

Amanda and Garrett

And of course – the Claby

I know a lot of people use a morphing program to do these but they usually wind up looking like what they are – as overlapping images.

My versions were totally chopped where I had to decide which feature i want to keep. The first trick is to find pictures of the subjects taken in the same angle. Then after resizing and matching some of the features like eyes, nose, mouth and jawline I would carefully erase any feature I don’t want.

The Layer and Path Palette are usually docked together as a default. To open them you have to go to WINDOWS > LAYERS or WINDOWS > PATHS

Open pan.jpg (hopefully you also saved it after creating the path)

Save and rename the path as discussed in Part 4 of the tutorial.

(CTRL-Win; CMD-Mac)
Open the Path Palette and change the saved path to a selection – that is, hold CTRL and click on the path name.

Once the path turns into a selection, we go to the Layers Palette. Press CTRL-J.

What this does is it will copy our selection to a new layer as shown above.

Click off the new layer we created and go to the Background Layer and make another selection as we did before by CTRL-clicking on our path.

Instead of CTRL-J, do a CTRL-SHIFT-J

What happens this time is instead of copying our selection, it cuts it out of our layer (shown above).

1. Our previous layer copied from our selection. (CTRL-J)

2. New layer with selection cut from our background layer. (CTRL-SHIFT-J)

Save this document (with layers and all) as a psd file.

Now, notice there’s a little hole on the handle of the pan. This tutorial will explain a few minor things when applying paths.

What we should do is put a path in that hole too so when the image is over another image or a background it will show up in the hole, too. (shown below)

PATH OPTIONS EXPLAINED

Above is the most common used option I set for the pen tool. I really don’t have to explain what the settings mean you can still use the pen tool competently. But for the sake of clarity… or in case these are not your default settings…

1. The pen tool can also be used to create Shape Layers – that is, if you draw a path it creates a new layer with a fill color on it and the path editable. This is useful if you’re creating logos in Photoshop.

I always set this to draw a path (2nd option). What this does is it creates a path in the Path Palette. From there I can save, rename, make selection, stroke, fill, resize a path.

2. The second option basically let’s us use a tool as if it’s another tool. Not much to explain here except if I choose the Pen Tool I want it to behave as a pen tool – so I chose the pen as shown.

3. When Auto Add/Delete is on it just means you can add or remove a point in an existing path.

4. The Pathfinder Options might freak out beginners but basically I set it to the fourth options which when another path is overlapped over another it gets excluded. I always keep it in on exclude (4th option).

You can select path and play around with these options to see what each Pathfinder option does.

As long as you have your settings identically set to the image above you will be fine for now.